Vic Stafford's drumming résumé reads like a musical travelogue written by someone who can't sit still: Asheville native, Donna The Buffalo anchor, Toubab Krewe founding member, sound engineer, session player, and general rhythmic architect for whoever needs someone who understands that groove isn't just about keeping time—it's about creating the gravitational field that keeps everyone else from flying off into space.
After helping build Toubab Krewe's West African-meets-American-rock fusion from the ground up—recording two albums, playing over 2,000 shows, and performing everywhere from Bonnaroo to the Festival in the Desert in Mali—Stafford relocated to Atlanta, where he continues his dual life as both percussive force and sonic craftsman. His transition from Toubab's drum throne to the engineering booth for their Stylo album proves he understands music from both sides of the glass: how to make it and how to capture it without losing the magic in translation.
Whether laying down the pocket for Donna The Buffalo's socially conscious folk-rock, sitting in with whoever needs someone who can navigate Cajun, zydeco, reggae, and straight-ahead groove with equal fluency, or engineering sessions that require someone who knows the difference between "technically correct" and "feels right," Stafford represents that rare breed of musician who's equally comfortable behind the kit and behind the board—and knows that sometimes the best contribution is knowing when to play less and let the music breathe.
