When four musical travelers converge at Little Jumbo Bar, expect the conversation to wander through territories unmarked on any genre map. One brings a baritone voice seasoned by continents and street corners, another weaves bass lines that function more as gravitational fields than rhythm, a third treats the drum kit like a philosopher treats questions—with equal parts conviction and curiosity—and the fourth arrives carrying the collected wisdom of Asheville church music, Brooklyn beat labs, and 50 countries worth of sound.
This isn't just a quartet—it's four sonic cartographers who've learned that the most interesting destinations appear between the roads already traveled. Baritone reed meets chamber music architecture meets midnight voice memos meets the ghost of four-track cassette experiments, all of it converging in Little Jumbo's intimate geometry where every frequency matters and silence carries as much weight as sound.
In a room where proximity breeds revelation, prepare for an evening where Hard Bop fire dances with Congolese pulse, where hip-hop production philosophy informs jazz improvisation, and where four distinct musical obsessions discover they've been searching for the same thing all along. Sometimes the most profound conversations happen when no one's trying to speak the same language.
Featuring
Originally from Asheville, NC, Chris Bullock's musical obsession began as a child with early interests in the Beach Boys, hip-hop cassettes, and learning the clarinet and electric guitar—a foundation that would eventually transform him into a modern-day musical wanderer who chases creativity across continents. As a longtime member and composer of Snarky Puppy since 2005, this tenor saxophonist has collected five Grammy Awards while performing at major concert halls and music festivals around...
.jpg)
Quinn Sternberg doesn't just play bass—he becomes the gravitational center around which musical solar systems orbit, his four strings serving as the invisible force that holds melody and rhythm in perfect harmonic balance. In Asheville's intimate jazz venues, Sternberg has mastered the art of musical architecture, building rhythmic foundations so sturdy that horn players can stretch toward the stratosphere while drummers explore the outer reaches of syncopation. His upright bass doesn't...
The first instrument Alfred Sergel IV ever touched was an 18-inch cymbal his father brought home from the band room. His dad was a band director — started in the schools, eventually landed at a college — and Al was the little kid walking next to the drumline, absorbing the pulse of organized sound before he had any language for what it was. The cymbal was surplus from the marching band, dented and heavy and probably not worth keeping, but it was enough. He hit it and the vibration...
From San Antonio street corners to Michael Bublé's Grammy-winning stages, Jacob Rodriguez has woven a musical tapestry that spans continents and genres. This Manhattan School of Music alumnus doesn't just play saxophone—he channels stories through reed and breath, whether he's painting midnight hues with Ambrose Akinmusire in Brooklyn's underground scene or igniting arena crowds alongside pop royalty. Now nestled in Asheville's Blue Ridge embrace, Jacob has become the valley's secret weapon,...
Admission
FREE!