September 22nd, Little Jumbo Bar becomes ground zero for a musical convergence that reads like jazz fiction: a Manhattan School of Music alum who's conquered everything from Brooklyn underground to Grammy stages, a guitarist the New York Times calls an "articulate ace," and three mountain maestros who've turned Asheville into a secret jazz laboratory. Jacob Rodriguez's baritone sax rumbles with the wisdom of San Antonio streets and Michael Bublé tours, while Jesse Lewis conjures sonic environments where steel strings become time machines. Quinn Sternberg doesn't just walk the bass—he builds gravitational fields that make everyone else orbit in perfect harmony, as Joe Enright and Alex Taub transform rhythm section into rocket fuel.
This isn't your typical Monday night—it's five musical storytellers who've discovered that the most profound conversations happen when tradition meets innovation at exactly the right volume in exactly the right room.
Featuring
From San Antonio street corners to Michael Bublé's Grammy-winning stages, Jacob Rodriguez has woven a musical tapestry that spans continents and genres. This Manhattan School of Music alumnus doesn't just play saxophone—he channels stories through reed and breath, whether he's painting midnight hues with Ambrose Akinmusire in Brooklyn's underground scene or igniting arena crowds alongside pop royalty. Now nestled in Asheville's Blue Ridge embrace, Jacob has become the valley's secret weapon, teaching the next generation at UNC Asheville while moonlighting with everything from Hard Bop Explosion's fire-breathing quintet to the mystical rhythms of Coconut Cake's traditional Congolese explorations. His baritone sax doesn't just anchor the low end—it rumbles with the wisdom of a world traveler who's learned that the most profound music happens when you're brave enough to blend your influences into something entirely new.
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Quinn Sternberg doesn't just play bass—he becomes the gravitational center around which musical solar systems orbit, his four strings serving as the invisible force that holds melody and rhythm in perfect harmonic balance. In Asheville's intimate jazz venues, Sternberg has mastered the art of musical architecture, building rhythmic foundations so sturdy that horn players can stretch toward the stratosphere while drummers explore the outer reaches of syncopation. His upright bass doesn't merely walk—it tells stories with every step, each note choice revealing decades of deep listening to masters like Ray Brown and Ron Carter while forging his own path through the modern jazz landscape. This is bass playing as conversation rather than accompaniment, where Sternberg's melodic sensibilities transform traditional rhythm section roles into something more akin to chamber music, proving that the most profound musical statements often come from the spaces between the obvious beats, where subtlety meets groove and creates something that makes everyone else in the room sound better.
Jesse Lewis inhabits the spaces where jazz guitar tradition meets 21st-century sonic exploration, his steel strings serving as conduits for both intimate storytelling and atmospheric soundscaping. The New York Times calls him 'an articulate ace,' while Stereophile Magazine recognizes him as a 'poet of the steel string'—titles that capture Lewis's unique ability to make every note count, whether he's navigating complex jazz harmonies or crafting ambient electronic textures. This is guitar playing that refuses to be confined by genre boundaries, moving seamlessly between the acoustic intimacy of jazz trio settings and the expansive possibilities of electronic manipulation. Lewis embodies the modern jazz musician's challenge: honoring the masters while pioneering new territories, proving that innovation doesn't require abandoning tradition—it requires understanding it so deeply that you can transform it into something entirely personal. When he performs, Lewis doesn't just play guitar; he creates sonic environments where melody, harmony, and texture converge into experiences that feel both timeless and urgently contemporary.
Joe Enright transforms every drum kit into a storytelling machine, his sticks weaving rhythmic narratives that bridge the gap between Asheville's mountain soul and metropolitan jazz sophistication. This is drumming as architectural engineering, where every kick, snare, and cymbal crash serves both the song's immediate needs and its deeper emotional blueprint. Enright understands that great drumming isn't about technical flash—it's about becoming the heartbeat that allows other musicians to find their most authentic voices. His approach reflects the best of Asheville's musical spirit: deeply rooted in tradition yet unafraid to explore uncharted rhythmic territories. Whether providing the subtle brush work that makes a ballad breathe or laying down the propulsive grooves that turn a jazz standard into something urgently contemporary, Enright embodies the drummer's sacred responsibility to serve as both timekeeper and catalyst, proving that the best percussionists don't just keep time—they create the spaces where musical magic becomes inevitable.
Alex Taub approaches the piano with the understanding that eighty-eight keys contain infinite possibilities—not just for melody and harmony, but for creating entire emotional landscapes within the span of a single song. His touch reveals the instrument's dual nature as both percussive and sustained, finding the spaces between classical precision and jazz spontaneity where the most interesting musical conversations happen. Taub's playing reflects the best of contemporary piano artistry: technically accomplished yet never ostentatious, harmonically sophisticated yet always in service of the song's deeper emotional truth. Whether providing the rhythmic foundation that anchors an ensemble or stepping forward for introspective solo passages that reveal new dimensions of familiar standards, he embodies the pianist's unique role as both accompanist and architect. This is piano playing that understands its responsibility to the tradition while remaining unafraid to explore uncharted harmonic territories, proving that the most compelling musical statements emerge when years of disciplined study meet moments of pure creative inspiration.