The Brian Felix Organ Trio brings the church to the cocktail lounge on October 27th, with special guest Will Boyd turning sacred fire into sound. Felix's fingers conjure Jimmy Smith's ghost through drawbars and Leslie speakers, walking bass lines with his left hand that make upright players weep with envy while his right hand preaches the gospel according to groove. Behind him, Evan Martin's drums don't just keep time—they tell stories, whispering and roaring in perfect collaboration. Dr. Tim Fischer brings that rare fusion of doctoral precision and street-level swagger, where European sophistication collides beautifully with American blues DNA.
Then there's Will Boyd, carrying the lineage from Orangeburg church pews to Japanese concert halls, his saxophone speaking that ancient language where Eddie Harris meets Hank Crawford, where soul isn't a style but a requirement. This isn't background music for your Monday night—this is spiritual transportation disguised as entertainment, where the floor becomes congregation and every note is testimony.
Featuring
When Brian Felix sits behind a Hammond B3, gospel church pews start swaying in jazz clubs, and cocktail lounges suddenly feel like revival meetings where the only salvation comes through swing. As the beating heart of the Fly Casual Organ Trio, Felix doesn't just play organ—he channels the entire history of American soul through drawbars and Leslie speakers, creating sonic sanctuaries where Jimmy Smith's bebop athleticism meets Jimmy McGriff's bluesy gravitas. His left hand walks bass lines that make upright players jealous while his right hand preaches sermons in chords, and when his feet find those bass pedals, the floor becomes a congregation that can't help but move. This isn't just organ jazz—this is spiritual transportation disguised as entertainment, proving that sometimes the most authentic musical experiences happen when you stop trying to be cool and start trying to be truthful.
In Asheville's Monday night jazz ecosystem, Evan Martin represents the rare breed of drummer who understands that sensitivity and power aren't opposites—they're dance partners. As a cornerstone of the local scene, Martin has mastered the art of musical telepathy, reading room dynamics and bandmate intentions with the precision of a master craftsman who knows exactly when to whisper and when to roar. His kit becomes a conversation partner rather than a time machine, responding to melodic phrases with percussive punctuation that feels both inevitable and surprising. This is drumming as collaborative art form, where every snare accent and hi-hat whisper serves the greater musical narrative, making Martin not just a timekeeper but a storyteller whose vocabulary happens to be built from wood, metal, and perfect timing.
Dr. Tim Fischer exists in that rarified space where USC doctoral precision meets street-level groove, where European touring experience fuses with American jazz DNA to create something entirely his own. This guitarist-composer-educator doesn't just play jazz fusion—he reimagines what happens when classical technique meets electronic experimentation, when rock energy collides with bebop sophistication. From Los Angeles studios to St. Louis classrooms to his current faculty position at Coastal Carolina University, Fischer has built a career on proving that the most interesting music happens at the intersection of seemingly incompatible styles. His collaboration with Brian Felix on 'Level Up' and his co-authorship of 'Jazz Guitar Duets' demonstrate a musician who understands that teaching and performing aren't separate activities—they're two sides of the same creative coin, each informing the other in an endless cycle of musical discovery.
From the church pews of Orangeburg to the concert stages of Japan, Will Boyd carries the sacred fire of soul saxophone in his lungs and heart. This South Carolina State University alumnus didn't just study the tradition of Eddie Harris and Hank Crawford—he absorbed their DNA, then filtered it through his own musical genome to create something both reverent and revolutionary. Now splitting his time between the classrooms of UNC Asheville and Warren Wilson College, Will serves as both professor and prophet, teaching young musicians that technique without soul is just expensive noise. His EWI (Electronic Wind Instrument) doesn't replace his acoustic arsenal—it amplifies his voice across dimensions, while his wife Kelle Jolly's vocals provide the perfect harmonic counterpoint to his reed-driven narratives. Winner of the MLK Arts Award and inductee into South Carolina State's jazz hall of fame, Will transforms every stage into a sanctuary where the secular meets the spiritual, and the ancient language of the blues speaks directly to tomorrow's possibilities.
Admission
FREE!